It’s no secret that Steven Spielberg is a renowned filmmaker. His name is attached to many projects and was nominated for numerous Academy Awards for Best Director or Best Picture. But there was one film where the famous director was not involved, except for story origin credits, that people have been revisiting on streaming services.
Ever since Spielberg began his career in 1959, he has worked on many projects, some of which are still beloved to this day, such as Jurassic Park and the Indiana Jones franchise. Earlier this week, Spielberg released a new film called Disclosure Day, starring Emily Blunt, Josh O’Connor, Colin Firth, Colman Domingo, and Wyatt Russell. Also attached to the project is Jurassic Park writer David Koepp. As Disclosure Day inched closer, fans have been revisiting this nostalgic ’80s classic.
The Goonies was a 1985 adventure comedy film based on a story written by Spielberg and produced by the filmmaker’s production company, Amblin Entertainment, and recently, it found a place on the streaming charts. The Goonies landed at #6 on Pluto TV’s Top Movies in the United States, sitting between Men in Black and Scary Movie. The Goonies follows a group of boys who call themselves “The Goonies” as they come across a map that leads to treasure that belonged to the pirate “One-Eyed Willy.” The boys embark on this adventure in hopes that this hidden fortune could save their homes. Since its release, The Goonies has grossed over $65 million worldwide and has been praised by many, earning a 77% critics’ score and a 90% audience score on Rotten Tomatoes.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
Parasite
Everything Everywhere
Oppenheimer
Birdman
No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
What To Watch If You Like ‘The Goonies’
Years after The Goonies release, there were talks about a possible sequel. In 2024, Spielberg revealed that there were conversations about bringing The Goonies back together, and reports indicated that the project would move forward. However, it’s likely that a Goonies sequel may not see the light of day, so if you’re after something with a similar plot and feel, there are other titles worth watching that bring that child-whimsy feeling to your screens.
The first title that comes to mind is Star Wars: Skeleton Crew, which has been compared to The Goonies for its coming-of-age adventure. The series follows a group of children who accidentally leave their home planet aboard a mysterious starship and become lost. As they search for a way back home, a Force-sensitive user, Jod Na Nawood, played by Jude Law, aids them in their journey as they face pirates, soldiers, and other dangers in a galaxy far, far away.
But if you’re looking for a Spielberg film, E.T. the Extra-Terrestrial is well worth watching, or re-watching. Released in 1982 and directed by Spielberg, the film follows 10-year-old Elliott (Henry Thomas), who befriends a stranded alien and helps him find a way home before government agents can take him away.
The Goonies is available to stream on Pluto TV. Follow Collider for more updates.
