Of all the many exciting summer blockbusters in 2026, from the iconic Steven Spielberg‘s long-awaited return to sci-fi in the alien epic Disclosure Day to Tom Holland‘s return as Peter Parker in Spider-Man: Brand New Day, no film is as hotly anticipated as The Odyssey. Three years after sweeping awards season and smashing the box office with 2023’s Oppenheimer, director Christopher Nolan returns with his most ambitious film yet, one that we now know boasts a staggering $250 million production budget.
Nolan movies are usually stacked with eye-catching talent, but The Odyssey feels like his most impressive ensemble yet. Featuring a supporting cast that includes the likes of the aforementioned Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya, Charlize Theron, Jon Bernthal, Mia Goth, Elliot Page, Benny Safdie, and more, this adaptation of the famous fictional story by Homer will be led by the ever-brilliant Matt Damon. Ahead of The Odyssey sailing onto global screens, one of Damon’s more divisive movies is back in the streaming charts.
Released in 2011 and somehow predicting the COVID-19 pandemic nine years later, Contagion faced a mixed reception upon arrival, splitting audiences down the middle but earning favorable reviews from critics. “In its first hour, Contagion masterfully balances all of these plotlines to create a fast-paced and serious-minded scenario that will leave you aching to douse yourself in hand sanitizer,” wrote Matt Goldberg in Collider’s review from 2011, with others heaping praise on the movie’s stellar cast. Whether it’s an uncanny look at the future or performances from the likes of Damon, Jude Law, Gwyneth Paltrow, Laurence Fishburne, Marion Cotillard, and more, you’re looking for, Contagion has it. At the time of writing, 15 years later, this Steven Soderbergh thriller has gone viral again, becoming the most-streamed movie on HBO Max in the U.S.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
Parasite
Everything Everywhere
Oppenheimer
Birdman
No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
Was ‘Contagion’ a Box Office Hit?
Did audiences in 2011 catch Contagion fever? The answer is complicated, with the film technically a financial success, scoring a global haul of $137 million against a production budget of $60 million. However, with a cast as impressive as this, and with the strength of director Soderbergh behind the camera, many would’ve predicted the movie to perform much better. After opening at #1 in the U.S., the movie quickly fell down the ranks in the weeks to come, dropping out of the top five entirely by weekend #3.
Contagion is streaming now on HBO Max. Stay tuned to Collider for more streaming stories.
